Overall, Kirkland says, “I hope the plaza inspires people to think about their families and their country, through the stories being told, the images they see—and that it encourages people visiting to think about their own experiences. In my experience as an artist, I’ve never seen anything like this.”

Kirkland is one of four artists selected by the foundation to amplify and humanize the experience of visiting the cemetery by capturing, in art, the timeless and universal character of war and sacrifice. Thanks to their nearly completed efforts, the plaza, which will debut with a community dedication on June 28, has become a kind of “outdoor museum,” said foundation president Debra Jacobs, creating a new standard for the nation’s 131 national cemeteries and an unprecedented model for public-private collaboration.

Ann Hirsch is soft-spoken, gentle, and exudes a sense of calm. Her art displays a similar restraint –but do not be fooled. Beneath the cool, calm surface of her sculptures is a strong, emotional energy that makes each piece – from a few inches tall to 7 feet, a compelling experience.

Ann works in the long tradition of western figurative sculpture but expresses her themes in a contemporary mode – seamlessly making work that seems both traditional and modern at the same time. She is interested in the public’s interaction with her work, often setting sculptures low where they can be touched and examined closely.

Her work on the east entrance to Patriot Plaza is a transitional space between the cemetery at large and the side of the ceremonial amphitheater dedicated to themes of family and community that honor military service.

“Etched into each block are Russell’s words carefully chosen by Hirsch after months of research.
She constantly narrowed down her selections with the help of the Russell family, especially Bill’s daughter, Karen Kenyatta Russell. One quote even came from Hirsch’s meeting with him: “Never go out there and see what happens, go out there and make something happen.”
But before she started the final sculpture, Hirsch created a model of what the statue itself would look like, and she showed photographs to Russell. Hirsch said he was more interested in the grant to help children, but, she added, “My sense is that he approves of the pose.” He even showed her how he’d hold the ball, and she watched Russell and his daughter, Karen, toss the ball back and forth, focusing on his hands and how they moved to get a sense for the gesture.”